1. Nagu teada, koosneb M. Bahtinist l\u00e4htuvalt inimest \u00fcmbritsev s\u00f5naline maailm valdavalt v\u00f5\u00f5rastest s\u00f5nadest: nagu ta \u00fctleb, on v\u00f5\u00f5rad s\u00f5nad k\u00f5ik mitte-minu s\u00f5nad. Bahtin m\u00e4rgib k\u00fcll, et kogu inimese elu ongi \u00fcks v\u00f5\u00f5raste s\u00f5nade keskel orienteerumine, kuid lisaks sellele toimub veel teinegi protsess: vastavalt sellele, kuidas inimene \u00f5pib v\u00f5\u00f5raid s\u00f5nu (ja nendest moodustatud lausungeid jms.) tundma, muutuvad need talle ka omasemaks, m\u00f5nikord ka p\u00e4ris omaks. Et v\u00f5\u00f5rad s\u00f5nad aga kunagi otsa ei l\u00f5pe, on selline protsess pidev.<\/p>\n\n\n\n
2. V\u00f5\u00f5rad s\u00f5nad ei saagi kunagi otsa l\u00f5ppeda, sest kultuurile on omane v\u00f5\u00f5raid s\u00f5nu otsida ja ka ise tekitada. Kui juba omaks saanud s\u00f5na asetada uude konteksti, saab temast taas v\u00f5\u00f5ras s\u00f5na. Ilukirjanduse puhul ilmneb see eriti selgelt antoloogiate ja kogumike puhul, kus mingi tekst rebitakse vanast ja tuntud kontekstist v\u00e4lja ning asetatakse uude. Nihkesse satub ka autori positsioon – senine autor kaotab oma seisundi ja toimub tekstide uue koosluse sisene vahelesekkumine, uue k\u00f5neleja (Peep Ilmeti koostatud kogumiku puhul siis k\u00f5igepealt koostaja ning seej\u00e4rel ka tekstide omavahelistest suhetest tuleneva “teise”, v\u00f5\u00f5ra, uue) vaatepunkti esilet\u00f5us.<\/p>\n\n\n\n
3. V\u00f5imalikud uued dialoogid kogumikus “Armastuse valgus”.<\/p>\n\n\n\n
Kirjandus<\/p>\n\n\n\n
Bahtin, Mihhail 1987. Valitud t\u00f6id. Tallinn: Eesti Raamat.
Kristeva, Julia 1980. Desire in Language. New York: Columbia University Press. <\/p>\n","protected":false},"excerpt":{"rendered":"
KUI V\u00d5\u00d5RAD JA OMETI NII OMASED: DIALOOGID “ARMASTUSE VALGUSES” 1. Nagu teada, koosneb M. Bahtinist l\u00e4htuvalt inimest \u00fcmbritsev s\u00f5naline maailm valdavalt v\u00f5\u00f5rastest s\u00f5nadest: nagu ta \u00fctleb, on v\u00f5\u00f5rad s\u00f5nad k\u00f5ik mitte-minu s\u00f5nad. Bahtin m\u00e4rgib k\u00fcll, et kogu inimese elu ongi \u00fcks v\u00f5\u00f5raste s\u00f5nade keskel orienteerumine, kuid lisaks sellele toimub veel teinegi protsess: vastavalt sellele, kuidas […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[65,55,66],"tags":[],"class_list":["post-664","post","type-post","status-publish","format-standard","hentry","category-ix-xvii-kevadkool-2000","category-kevadkoolid","category-teesid-ix-xvii-kevadkool-2000"],"_links":{"self":[{"href":"https:\/\/www.kirmus.ee\/nypli\/wp-json\/wp\/v2\/posts\/664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kirmus.ee\/nypli\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kirmus.ee\/nypli\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kirmus.ee\/nypli\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kirmus.ee\/nypli\/wp-json\/wp\/v2\/comments?post=664"}],"version-history":[{"count":1,"href":"https:\/\/www.kirmus.ee\/nypli\/wp-json\/wp\/v2\/posts\/664\/revisions"}],"predecessor-version":[{"id":665,"href":"https:\/\/www.kirmus.ee\/nypli\/wp-json\/wp\/v2\/posts\/664\/revisions\/665"}],"wp:attachment":[{"href":"https:\/\/www.kirmus.ee\/nypli\/wp-json\/wp\/v2\/media?parent=664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kirmus.ee\/nypli\/wp-json\/wp\/v2\/categories?post=664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kirmus.ee\/nypli\/wp-json\/wp\/v2\/tags?post=664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}